Tag Archives: finds

By Cova Escandon, Archives Project Supervisor

This month we have chosen this beauty! It is an Early Neolithic leaf-shaped arrow head and it comes from a site we are currently working on in Grantham.

Early Neolithic leaf-shaped arrow head

Early Neolithic leaf-shaped arrow head from a site in Grantham

Arrow heads were manufactured by using a small antler tine to push tiny pieces off a bigger stone; a technique known as pressure-flaking. They were then used as projectile points mounted on the tip of a wooden shaft. We are not sure if they were propelled by a bow or were part of a spear as wooden artefacts don’t survive very often.

These leaf-shaped arrow heads dominated the Early Neolithic era (4,000-3,200BC), becoming less common in the Mid Neolithic and scarce in Late Neolithic. Later arrow heads followed designs with ‘barbs’, that made them more effective, but these leaf-shaped ones were easier to make.

Some are incredibly thin and delicate, too fragile to be used for hunting or violence, and some scholars believe that they were status symbols, as they required an immense amount of skill to make. But it is not that simple, as some of these very delicate arrow heads show traces of having been used…

But why do these Early Neolithic groups start manufacturing these new arrow heads? The Neolithic Revolution had begun! The clearance of the woodland in order to get it ready for harvesting had drastically changed the environment, and it was more difficult for the hunter to get close to the prey. One theory suggests that this type of arrow head offered a more aerodynamic and effective killing tool with an increased range and penetration.

This alteration of the environment was already happening during the Mesolithic. But the Neolithic saw massive deforestation to make room for farmland, dramatically transforming the landscape.

This Neolithic Revolution not only brought economic and technological change, it also saw deep social transformation. Knapping tools changed from being a survival skill learnt by everyone, to an artisan trade done by specialists in the community. The groups settled in territories, and the foundations of new social hierarchies were established.

The attachment to the land brought an increase in violence as control of the territory was key in order to survive.

Examples of these bloody episodes have been seen at archaeological sites such as Belas Knap Long Barrow in Gloucestershire and Wayland’s Smithy in Oxfordshire, where there is evidence of blows to the head or arrow wounds in dead deposited there, and at Hambledon Hill in Dorset, there is evidence of the defensive palisades being burnt. Leaf-shaped arrow heads are the most commonly found artefact in British Neolithic tombs. As usual, we end up with more questions than answers. Why did society change? Farming requires much more work than hunting-gathering and one so why did they change their way of living?

Whilst Britain was still in the Late Mesolithic, a big part of Southern Europe was already embracing the Neolithic Revolution. Can we attribute the beginning of the Neolithic in the UK to sea-borne colonialists from continental Europe, or to the influence of locals who were in touch with the continent?

This is certainly a beautiful artefact, no doubt about that. But it is also a window to a fascinating and mysterious time of change.

By Isobel Curwen (Heritage Research Team)

For centuries we have been leaving a written record of our daily lives and when we find evidence of this it is very exciting. Recent excavations in London uncovered a significant collection of Roman waxed writing tablets, some of the earliest hand-written documents found in Britain (for more information visit the MOLA website), and we have even earlier records such as prehistoric cave art and runic writing systems.

Our Finds team are currently analysing some stamped Roman pottery found in Lincolnshire. Mortaria and Samian ware are the most common pottery types to be stamped, although other types of Roman pottery were occasionally stamped too. The stamp could be a name or a word, or sometimes a symbol, possibly suggesting that the potter was illiterate (Read our blog post by Alice for some examples of stamped pottery found in Lincoln). In order to create the impression on the pot, the stamp had to be created in relief and in reverse which requires considerable skill (see how quickly you can spell your own name backwards!).

Stamped mortaria found from Lincoln - see the range of potters marks from symbols to words

Stamped Mortaria found from Lincoln – see the range of potters markings including both symbols and words

 

 

 

 

 

 

 

Roman grey ware pot base with a pot firing 'X' graffito that has been trimmed to form a disc or counter (Photo Credit Hugh Fiske/Ian Rowlandson)

Roman grey ware pot base with a pot firing ‘X’ graffito that has been trimmed to form a disc or counter (Photo Credit Hugh Fiske/Ian Rowlandson)

 

 

 

 

 

 

 

These lovely sherds of stamped pottery have survived for thousands of years and this got us thinking. In today’s digital world what record will we leave of our own lives? Handwritten letters have been replaced by emails and text messages. Digital mapping and GPS render paper maps obsolete, used only when technology fails us or when there is a lack of signal. In our on-site recording of archaeological sites we use a combination of physical and digital recording techniques. With recent advances in archaeological practice suggesting and implementing systems for entirely paperless recording systems (Roosevelt et al. 2015) we are heading in the direction of an almost entirely digital historic record.

It looks like the record we leave about our lives will be less tangible and physical than that of our predecessors. Read the following article for more information on our digital footprints.

 

Christopher H. Roosevelt, Peter Cobb, Emanuel Moss, Brandon R. Olson &
Sinan Ünlüsoy (2015) Excavation is Destruction Digitization: Advances in Archaeological Practice,
Journal of Field Archaeology, 40:3, 325-346

By Cova Escandon (Project Supervisor Archives)

The find of the month for March is  a Lee and Green Ltd. torpedo bottle. It is made of plain glass and you can read on its body ‘Sleaford’ and ‘Spalding’.

Lee and Green Ltd. Torpedo Bottle

Lee and Green Ltd. Torpedo Bottle

Arthur Green and Ranyard Lee opened an aerated water bottling factory in Spalding in 1885. The factory was located on Albion St. and built by John Richard Carter in 1824. It was sold in 1846 to Henry Bugg the Younger and William Henry Bugg. A few years later, the premises were used temporarily as a guano store, before being sold to Lee and Green. They also had factories in Sleaford, Bourne, Boston and Skegness.

The first ‘torpedo bottles’ appeared at the end of the 18th Century as a solution to the problem of containing gas in glass bottles. At this time, glass bottles were not strong enough to contain the gas so they would often explode. Glass capable to contain the gas was very expensive, so it was reserved for luxurious liquids such as champagne. Cheaper drinks like ginger beer were contained in stoneware bottles. The torpedo shape would stop any air leaking as it prevented the bottle from being stood up, keeping the cork moist as a result of being in contact with the soda, so it wouldn’t shrink (something still done today with other drinks such as wine). Pouring the drink would also be easier and it would be better adapted for packing carriage. It did present advantages for the merchant and the consumer too as the consumer would have to finish the drink before putting down the bottle! The bottles were also easy to transport via boat on flat shelves with holes on them so they wouldn’t fall over when the ship moved.

1914 marks the end of the torpedo bottle era. They are no longer necessary as they are replaced by Malenstrone’s 1901 patent that allows normal shaped bottles to contain gas.

‘The Story of Lee and Green’ Exhibition is currently on display at Sleaford Museum.

The Story of Lee & Green

By Matt and Yvonne Rose (Archive Project Supervisor)

For February, just for a change, there’s a slight twist to “Find of the Month”. For the past three Thursdays the finds and archiving team has been joined by work experience student Matt. He’s been busy washing the usual assortment of pottery, tile and animal bone, so to make the days more interesting we’ve shown him an array of the more exciting finds from past excavations. We asked him to choose two of his favourite finds, along with a few other questions, so that we could find out a bit more about Matt and his interests. Here are the results:

How long have you been interested in archaeology?

Since I was around 7 years of age (10 years ago).

How did you become interested in archaeology?

I became interested in history by watching Time Team on the TV in my own time. It encouraged me to go outside and try it for myself. Ever since I started finding actual finds of importance I enjoyed it more and more, up to this day. Now I wish to continue further with a regular job in either archaeology or palaeontology.

What is your favourite period in history?

Probably Roman.

Which finds have you liked the most, and why?

The Roman face pot (nicknamed Marion) because it is a very nice pot from my favourite period in history. I would also like to do some research on it at some point in the future.

I like the Palaeolithic flint blade due to the fact that it is very old (around 10 000 years). I also like to think about the many different ways it could have been used. I love the history behind it.

Palaeolithic flint blade

Palaeolithic flint blade

The Roman face pot (Marion)

The Roman face pot (Marion)

What would you like to find in the future?

A hoard of Roman coins or something gold!

We wish Matt well in his remaining weeks with us and hope he finds that gold one day!

Decorated clay pipe bowl

Decorated clay pipe bowl

By Cova Escandon, Finds Supervisor

On 27th of July 1586, Sir Walter Raleigh brought back three unknown weeds from one of his trips to the New World. They were the plants of potato, maize and tobacco.

Although tobacco was most likely to have been known in England before this date through Spanish and Portuguese sailors, Raleigh was the first person to introduce smoking as a fashionable habit in the court of Elizabeth I. Imagine the first time these courtesans saw smoke coming out of someone’s nose and mouth! It is said that one of Raleigh’s servants threw water on him thinking he was on fire. Smoking soon became very popular, and it was even thought to be beneficial to health. It was highly recommended to heal conditions such as worms, halitosis and toothache. Even during the Great Plague (1665) it was thought to clean the air, so schoolboys at Eton College would smoke a pipe at breakfast. But at the beginning of the 17th Century some voices started speaking against its use. One of them was King James I who wrote a famous text called ‘Counterblast to Tobacco’ where he condemned the use of the aforesaid plant. He also destroyed the crops existing in England and taxed severely the import from America. Despite this, the use of tobacco continued to grow until the 1930s. It was around this time that clay pipe use declined due to competition from cigarettes.

The pipe bowl that we bring to you today was found in Lincoln and made at the Watkinson Clay Pipe Factory in Market Rasen. This factory was founded in 1843 by George Spencer Watkinson and it was very successful until 1893 when wooden pipes started being more popular. Watkinson’s son, George Spencer Watkinson Junior, wrote a journal of his memories of the factory and drew sketches describing the process of making clay pipes. This source of information is priceless as not much is known about this type of factory.

Back in those days, each factory would produce their own designs incorporating the name of the manufacturer or place of production. Our pipe bowl is beautifully decorated with a trophy, possibly related to horse racing, and what appears to be thistles and roses in a laurel crown. On the rim of the bowl you can read MARKET RASEN. Interestingly, we know that the Watkinson Factory often used another design showing a chained slave on one side and the personification of Liberty on the other. This antislavery decoration is highly unusual in the tobacco industry, given its close relationship and dependence on the slavery system.

As you can see in the photograph, the stem of the pipe is missing. We actually often find them with short stems, or none at all, and one reason is that in the second half of the 19th Century, pubs would provide pipes for their clients to smoke: the customer would break the end of the stem, fill the bowl with tobacco and smoke, returning it to the landlord once he had finished. The next client would break the stem and start again. This artefact not only is a beautiful piece of art, it is also a little window into our past.

By Feenagh Johnson, Project Supervisor

At the end of last year, Allen Archaeology (Marine division) undertook a small excavation in the Market Town of Bourne, Lincolnshire.

The site at Bourne

The site at Bourne

Now I maybe biased, having grown up a mere stone’s throw away, but I already thought the site was pretty exciting… and then this little lady turned up in the first excavated feature. She was covered in mud and in many fragments but enough of her features were visible to identify a face, and it was the unusual form of her hair that gave her the nickname “Marion” (as the frills looked like a medieval headdress).

Finding Marion

Finding Marion

Muddy marion

A muddy Marion

Although similar to their better known cousins, the face pot, head pots are usually made of a fine fabric with the body of the vessel moulded into the form of human head. Their exact nature is uncertain but it has been postulated that they are ritual vessels, with another notable Lincolnshire example, the “DON MERCVRIO” head pot, being dedicated to the cult of Mercury.

The fully cleaned headpot

The fully cleaned headpot

However, the Bourne Head pot is unique; she is beautifully hand painted with a distinct hair style and facial features. It’s very possible that the vessel was “made to order” sometime in the 4th century AD, and it would be nice to think that she was modelled after an actual person before being ritually deposited… unfortunately we can only hypothesize!

illustration by C Bentley

illustration by C Bentley

 

Chris Clay

Chris cracking the whip as Director (any resemblance to other archaeologists, living or dead, is purely coincidental)

What is your job role?

Director, for my sins

How long have you worked for Allen Archaeology?

Since the beginning…

How would describe your excavation technique?

Rusty

How long have you been working in archaeology?

20 years, there or thereabouts

How did you get into archaeology?

I would probably have to blame Indiana Jones for that one

What is the best thing about your job?

I get to see all the shiny things without having to dig them up

Specialist skills?

Remembering site codes

Best site hut biscuit?

Well it is quite obviously the Bourbon biscuit. No question

Roman glass bangle

Yvonne Rose, Archives Supervisor and Mike Wood, Project Manager and Finds Specialist

Our find of the month for September is this spectacular fragment of glass bangle, found in the rather unremarkable setting of a ditch fill in North Lincolnshire.

This is a Kilbride Type 2, named after H. E. Kilbride-Jones who, in 1938, created a detailed typology of early Roman glass bangles. The Type 2 bangles are characterised by having from one to three narrow, twisted cables, generally blue and white, fused lengthwise onto a translucent core, most commonly ice-green or blue, but occasionally colourless. They are usually D-shaped or triangular in section. If it had been complete, our bangle would have had an internal diameter of approximately 60mm.

Bangles of all materials are most common in Britain during the 4th century. The major exception to this are the coloured glass bangles which, by contrast, appear to have been at the height of fashion in the earlier centuries of Roman occupation in Britain. Despite their relatively short lifespan, there are many examples of this type of bangle in the north of England, and even Scotland. Recent work has indicated that this type has been found on several sites north of the Humber in the former Parisi territory. It has been suggested that they may have been manufactured in Roman forts, using raw materials brought over from the continent, and this would explain the spread northwards.

There has been some debate about what precisely these glass rings were used for, and whether all of them were worn as arm or leg ornaments. It has been suggested that some of the broken fragments appear to have had a value as amulets of some sort, with an example found deposited with a cache of stones, fossils and other coloured glass objects in an empty burial cist in a prehistoric cairn at Cairnhill, Aberdeenshire. However, the most commonly accepted theory is that they were used as anklets, armlets, bracelets or possibly even for tying up hair.

Our find of the month for May enables us to have a look at textile production during the Iron Age. It is a large, triangular loom weight which was found during an evaluation in the village of Kirkby on Bain, Lincolnshire. Archaeological evidence for the actual process of textile production is scarce as the wooden looms and associated threads and wool don’t survive. What do survive better are the spindle whorls from the spinning process and loom weights from weaving.

Loomweight

These triangular shaped loom weights are thought to have been used during the Iron Age and are usually made from fired clay, though stone is common on earlier sites. The clay is normally of low firing and as such the weights are prone to break. Later Anglo Saxon loom weights are circular and many Roman ones are pyramidal in shape. The reason for choosing a particular shape is not known and is likely a personal or cultural preference. Loom weights are a fairly common find on sites in Northern Europe and in the Near East where a certain type of loom was used.

The loom which would have been in use during the British Iron Age was the warp-weighted loom which became obsolete in the Roman period but had been in use since the Neolithic. This was a fairly simple loom which consisted of two wooden uprights and a horizontal bar, which would rest against the wall. The warp (vertical) threads would hang freely from the bar and would be tied individually or in bundles to the loom weights. The clay loom weights hanging from the bottom of the threads would keep them taut enough to enable the weft (horizontal) threads to be more easily passed over and under in the weaving process.

This particular loom weight is quite large, weighing in at 2.27kg which would create quite a bit of tension in the yarns. As mentioned earlier, due to the low firing of the clay, they can break fairly easily and several of these heavy items hitting into each other as you weave would cause frequent damage. This loom weight has lost the tips of two of the corners but is still a remarkably complete example of the type.