Tag Archives: excavation

 

This year for International Women’s Day we’ve been thinking about how women are represented in the archaeological record. The archaeology of gender has become a large part of our interpretation, where previously women’s lives were overlooked by antiquarians in favour of kings and emperors, work has been done to readdress this imbalance. We’ve picked three of our most interesting examples for discussion.

 

Recently excavated head pot, 'Marion'

Recently excavated head pot, ‘Marion’

 

 

 

 

 

 

 

 

 

 

 

Neither face pots nor head pots are especially common, but have been found distributed widely across Britain including around 50 examples from York, a famous example of which depicts the Empress Julia Domna (York Museums Trust n.d). Head pots appear to be almost exclusively found in Roman Britain and North Africa, and are generally made of finer fabric than face pots (Braithwaite 2011). While researching this piece it seemed like a majority appear to be depictions of women. Our example, Marion, was found in Bourne, Lincolnshire. We chose the nickname Marion as we thought the frills around her face looked like a medieval headdress.

 

Saxon chatelaine

Saxon chatelaine

 

 

 

 

 

 

Chatelaines (sometimes referred to as chatelaine chains) were a popular item of women’s dress from around the 7th century in Anglo-Saxon England, and are sometimes found in the burials of female individuals (Owen-Crocker 2004). The chatelaine itself was attached to a belt worn at the waist, with smaller objects hung from it and thought to be worn by the female head of the household, indicating a level of status. Common items carried during the period included functional items like keys and personal hygiene (metal picks, small spoons intended for the cleaning out of one’s ears, etc) (ibid). Later, Viking women’s fashion dictated one’s personal items were often hung from brooches which are themselves commonly (but not exclusively) associated with the burial of women (ibid).

The misidentifying of an individual’s gender in archaeology based on materials remains isn’t uncommon, prominent examples include the ‘Red Lady of Paviland’, identified as Roman female in 1823 due to the presence of ivory and rings (assumed to be female items) but later revealed to actually be a man from the Upper Palaeolithic period, and the Skaill boat burial in Orkney, which was assumed to be male based on the presence of finds believed to be associated with warriors (a sword, an axe, a spear etc.), but was later identified as female (Hedenstirna-Jonson et al 2017). The example in Orkney was still presumed to be a man even after osteological analysis in the 1970s identified the individual as a woman (Laskow 2017)!

 

19th century ribbon from the grave of a female adult

19th century ribbon from the grave of a female adult

 

 

 

 

 

 

During excavations in a 19th century burial ground a fashionable silk gauze ribbon with self-woven stripes was found in the burial of an adult female. Several other examples of fashion ribbons were also found, personal touches allowing those interred to retain elements of their identity after burial.

You can also find our previous blog posts for International Women’s Day here:

2017: https://www.allenarchaeology.co.uk/christina-colyer-lincolns-trowel-blazer/

2016: https://www.allenarchaeology.co.uk/international-womens-day/

 

References:

Braithwaite, G., 1984, Romano-British Face Pots and Head Pots, Britannia, 15, 99–131, accessed online 08.03.2018: https://www.cambridge.org/core/journals/britannia/article/romanobritish-face-pots-and-head-pots/0D323526CEF3BF9A4A7A500BABB1AC9D

Hedenstierna-Jonson C, Kjellström A, Zachrisson T, et al. A female Viking warrior confirmed by genomics. Am J Phys Anthropol. 2017;164:853–860, accessed online 08.03.2018: https://doi.org/10.1002/ajpa.23308

Laskow, S., 2017, Found: Evidence That a Lavish Burial Honored a Viking Warrior Woman, accessed online 08.03.2018: https://www.atlasobscura.com/articles/viking-warrior-woman-burial-birka

Owen-Crocker, G.R., 2004, Dress in Anglo-Saxon England, 2nd ed, Woodbridge: Boydell Press

York Museums Trust, n.d., accessed online 08.03.2018: http://www.historyofyork.org.uk/themes/roman/roman-head-pot

By Isobel Curwen, Heritage Research Supervisor

Archaeologists excavating the Oseberg Ship in 1904 or 1905

 

 

 

 

 

 

 

As you can see from this photograph of an excavation in 1904 or 1905, some things have changed quite a lot in terms of what we wear during archaeological excavation today. Note the smartly dressed men in the centre of the photo (and also the slightly grubbier men to the left!).  Suits, ties and bowler hats are a stark contrast to what we wear on archaeological excavations today.

However, as the fashions have changed, so has what we wear during our excavations. Today we have strict health and safety procedures in place to ensure that we are safe whilst on site. For this, we have Personal Protection Equipment (PPE) that includes an array of kit from hard hats, steel toe-capped and midsole boots, gloves, safety glasses, and hi-visibility clothing.

As we as field archaeologists are at the mercy of the Great British weather (see previous blog posts for some prime examples of this!) it is essential that we have good quality, warm and waterproof clothing. This not only means that we are kept warm and (hopefully) dry but that team morale during a particularly cold or wet day is kept high!

However, importantly, the main role of PPE is to keep us safe. The nature of our work means that we are often on construction sites with set rules and regulations that we need to abide by. This includes wearing hard hats where there is a risk of falling objects, safety glasses to protect eyes from flying sparks and dust, gloves to protect hands from sharp objects or hazardous chemicals, and safety footwear to protect our feet from falling objects. Hi-visibility clothing also keeps us seen (even through the layers of mud!). Obviously the type of PPE varies from site to site and is dependent on the nature of the site.

At Allen Archaeology, everyone is issued with PPE which we have in various sizes. Each site undergoes a risk assessment and toolbox talks are given as and when required which act as reminders as to the correct usage of our PPE.

So how times have changed! I wonder how our field staff would feel about swapping their PPE for a suit and tie?!

Some of our fieldwork team working on a site in rural Lincolnshire, complete with PPE!

Some of our fieldwork team working on a site in rural Lincolnshire, complete with PPE!

 

 

 

 

 

 

 

 

 

By Harvey Tesseyman, Heritage Research Supervisor

January is finally over, a month with five Mondays to kick the year off. Since we’ve spent January out in the field excavating, geophys-ing, and undertaking earthwork surveys, we’ve been thinking about what people in the medieval period would have been doing out in their fields this month.

The Julius Work Calendar was a twelve page book measuring just 200mm by 130mm and produced in c.1020 in Canterbury Cathedral. It was divided into the calendar year we recognise today, each page showing a zodiac sign, the holy days of that month, and an illustration of a particular task  http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Cotton_MS_Julius_A_VI. This ‘Work Calendar’ was a religious text, likely produced to help young monks with their learning (Robert and Danziger 2003). It was rescued from destruction following the Dissolution of the Monasteries by a 17th century Member of Parliament, antiquarian, and book collector, Robert Cotton, from whose shelves the calendar gets its name: each of Cotton’s bookcases in Westminster library was topped with the bust of a notable figure of the classical world; Augustus, Caligula, Claudius, Cleopatra, Domotian, Faustina, Galba, Nero, Otho, Tiberius, Vespasian, Vitellius and, of course, Julius.

The calendar suggests that January’s task was ploughing. The ploughing season began in earnest on Plough Monday, the first Monday after Twelfth Night. Plough Monday may have had associations with rites surrounding fertility, whereby local young men would wear special badges and engage in ploughing competitions (Gilchrist 2012). We decline to pass comment on this aspect.

Ridge and furrow

Ridge and furrow earthworks visible during an earthwork survey in Lincolnshire

The open field systems that dominated much of the medieval landscape comprised areas of arable land up to c.50ha big, divided into furlongs which in turn comprised a number of narrow, enclosed strips. Generally between two and four of these giant fields served a single settlement, with somewhere between one third and one half of the rural population living in places given over to this system (White 2002). Medieval ploughing was difficult work. Teams of people goaded and sung to their slow-moving oxen to drive them through the fields, whilst the plough was steered to deliver the perfect furrow within which to sow seeds; not too shallow nor too deep. It was a system that worked for hundreds of years before oxen were put out to pasture in favour of smaller teams of horses. A plough team could cover an acre a day, which would have involved walking something like 17.5km (Ochota 2016). Quite a distance even on level ground (our geophysicists walk up to 25km a day and that’s with just a magnetometry rig, not a team of oxen)! Unlike modern ploughs, medieval examples had a single blade, not unlike a spearhead in shape, or an archaeological trowel held at an angle. They were designed to cut a small trench into the earth and push the dislodged soil to one side and this created a characteristic set of linear earthworks, known as ridge and furrow (or furrow and ridge, respectively). Due to the wide turning circle on a team of oxen when compared to a modern tractor, ridge and furrow ploughing has a gentle ‘S’ or reverse ‘S’ curve to it to give the animals enough time to turn around and start another furrow, in an area referred to as headland.

With time, many examples of ridge and furrow ploughing were in turn ploughed out. Where evidence for these medieval field systems survives, often soilmarks showing where the old furrows used to be are the only trace but happily for archaeologists, these soilmarks and remaining earthworks can be quite easy to spot both by eye, and using LiDAR. They’re interesting to dig, and useful to identify during a desk-based assessment or heritage statement as they often indicate further activity nearby.

January was busy, and February is already off to a good start. Luckily for us according to the Julius Work Calendar we’ll be out in February clearing vines…

ridge and furrow lidar

Ridge and furrow visible on LiDAR near a site in Leicestershire

References:

Gilchrist, R, 2012, Medieval Life: Archaeology and the Life Course, Suffolk: Boydell Press

Ochota, M., 2016, Hidden Histories: A Spotter’s Guide to the British Landscape, London: Frances Lincoln Ltd

Robert, L., and Danziger, D., 2003 (3rd ed), The Year 1000: What Life Was Like At The Turn of the First Millenium, London: Abacus

White, G.J., 2002, The Medieval English Landscape 1000–1540, London: Bloomsbury

By Dominika Czop, Project Archaeologist

Last week I was sent on an archaeological adventure in beautiful Shropshire. I accompanied our new Senior Project Officer, Craig. Our task was to investigate what is hidden under the ground next to the walled garden in Weston Park. We discovered foundations of a pinery-vinery!

I hope everyone likes pineapples because pinery-vinery was a greenhouse for pineapples. Pineapples were first grown in the Netherlands, and British gardeners learnt the art of growing this exotic fruit from the Dutch. Therefore it comes as no surprise that the first British grown pineapples were cultivated by a Dutch gardener, Henry Telende, who worked in Sir Matthew Decker’s Pembroke Villa in Richmond. As a fruit that is very expensive and difficult to grow in northern climates, pineapple, like other exotic plants, became a symbol of wealth and status. Unlike today when we can buy one at any time, only two hundred years ago people rented pineapples to show off to their guest or even send them to the king or queen as a royal gift!

Pineapple

The majestic pineapple, once available for hire

Unlike citrus fruit, which could be grown in orangeries, pineapples require constant heat as they grow all year round. Since the 17th century heated greenhouses were used in Britain. Hot air flues inside cavity walls allowed heating of entire length of the garden wall. Furnaces that provided the heat for the walls can be seen along the southern wall of the Walled Garden in Weston Park. Unfortunately furnaces required constant attention – they had to be supplied with fuel, produced soot, which could block the hot air flues and created danger of fire. Fumes from the furnaces also damaged or killed the plants in greenhouses. Different techniques of growing pineapples and providing heat inside of the greenhouses developed during the 18th and 19th century. First pineapples were grown in tan pits and then moved to heated hothouses to mature. James Justice described his success in growing pineapples in 1728 at his estate in Crichton, Scotland. He combined tanners’ pits and greenhouse into one stage of growing and maturing pineapples. The pineapple pots were placed in a pit filled with layers of pebbles, manure and tanners’ bark, which provided a source of stable heat for few months.

Pinery-vinery wall

Pinery-vinery wall

The use of pinery-vinery was proposed by Thomas Hitt in 1757. It had a dual function of growing pineapples and grapes. Pineapples were grown in a greenhouse on the south side of the heated wall and grapes grew on the north side inside of the walled garden. Unfortunately growing pineapples and grapes together required a lot of effort and was very expensive, therefore it was later abandoned. Presence of arches in the lower part of the pinery wall in Weston Park indicates that the vines were planted there and they could grow inside of the greenhouse as well as the other side of the heated wall. This early 19th century invention also allowed greater space for the roots of the vine. Nails inserted between the bricks allowed the vines to spread across the whole surface of the wall.

Greenhouses became more popular in Britain after the invention of the Wardian case in 1829 and abolition of the glass tax in 1845.This new development led to the fern craze (Pteridomania!) in Britain. Availability of cheap glass and invention of well sealed greenhouses allowed growing of tropical plants on a larger scale, even in the fumes filled London. Despite the popularity of the heated greenhouses and success of the pineapple growing, this type of horticulture was abandoned with the arrival of imported exotic fruit.

Today anyone interested in past horticulture and pineries can visit the Lost Gardens of Heligan and Tatton Park or the Pineapple Summerhouse at Dunmore. There are also other places which still have standing structures associated with pineapple growing, and perhaps in future they will be restored to bring crops of British grown pineapples!

By Feenagh Johnson, Project Supervisor

At the end of last year, Allen Archaeology (Marine division) undertook a small excavation in the Market Town of Bourne, Lincolnshire.

The site at Bourne

The site at Bourne

Now I maybe biased, having grown up a mere stone’s throw away, but I already thought the site was pretty exciting… and then this little lady turned up in the first excavated feature. She was covered in mud and in many fragments but enough of her features were visible to identify a face, and it was the unusual form of her hair that gave her the nickname “Marion” (as the frills looked like a medieval headdress).

Finding Marion

Finding Marion

Muddy marion

A muddy Marion

Although similar to their better known cousins, the face pot, head pots are usually made of a fine fabric with the body of the vessel moulded into the form of human head. Their exact nature is uncertain but it has been postulated that they are ritual vessels, with another notable Lincolnshire example, the “DON MERCVRIO” head pot, being dedicated to the cult of Mercury.

The fully cleaned headpot

The fully cleaned headpot

However, the Bourne Head pot is unique; she is beautifully hand painted with a distinct hair style and facial features. It’s very possible that the vessel was “made to order” sometime in the 4th century AD, and it would be nice to think that she was modelled after an actual person before being ritually deposited… unfortunately we can only hypothesize!

illustration by C Bentley

illustration by C Bentley

 

Feenagh Johnson, Project Supervisor

Tucked among the various stalls at the Lincolnshire show 2017, Team Allen joined the wonderful people in the Cathedral Tent and the Lincoln Cathedral Connected project to perform a little bit of community outreach and to show off some of the cooler parts of our work!

Mark Allen chats about the Cathedral excavations

Director, Mark Allen chats about the Cathedral excavations

Over the course of the Show, countless cups of coffee were consumed (thanks to Stokes) and even more people were introduced into the wonderful world of archaeology, engaging with our reconstruction pots; mosaic tiles and plans of our works at the cathedral and of course Pighill Archaeological Illustration’s virtual reconstruction of the Works Chantry, which quite literally brought the archaeology we had encountered to life!

Fee with a reconstructed pot

Fee with a reconstructed pot

It was great to see how enthusiastic and interested the public were in their local heritage, but the centrepiece of this adventure was without a doubt the sandpit. Armed with trowels, little spades and of course finds trays and brushes, a small army of budding archaeologists (hopefully!) jumped at the chance to explore what it was like to be a real digger.

They travelled from Ancient Egypt, with a sphinx and a couple of pyramids; through the Roman Empire, with a fort and colosseum and then back home again with a castle and a very artistic representation of Lincoln cathedral, unearthing all sorts of artefacts (including what we were told were real dinosaur teeth!). At the end of the two days we can’t help but wonder…who had the most fun in the sandpit… the kids or the archaeologists!

Sand Cathedral

Sand Cathedral

Sand castle

Nicky and Bill with their sand castle

 

 

What is your job role?
Senior Project Archaeologist

How long have you worked for Allen Archaeology?
I have worked for AAL since September 2015 with a quick travelling break to New Zealand in the middle. Although I did have a coffee and cake with a Historian out there so I’m going to call it a ‘research break’…

How would describe your excavation technique?
One cut. One fill.

Nicky digging

One cut, one fill

How long have you been working in archaeology?
Since September 2014

How did you get into archaeology?
I wrote a list of ideal jobs when I was about 8 with Archaeologist appearing second on the list after marine biologist but I don’t like boats so here I am!

What is the best thing about your job?
I love working outdoors, having in depth site discussions about why anyone would want to dig so many holes (pot calling kettle black me thinks), the copious amount of biscuits, finding really shiny things, finding not so shiny things, the list could go on!

Specialist skills?
Onsite recycling enforcer

Best site hut biscuit?
The mighty Hob nob! ‘Hobnob’ also incidentally was used in the early 19th century to mean ‘to socialise’ – something all archaeologists like to indulge in, if not with hobnobs then with other grain related products. Making me love Hobnobs even more, if possible!

Nicky Grayson, Project Archaeologist

We’ve just finished work on a site in Cambridgeshire and excavating a ring ditch here was probably one of the highlights of my time on the job.

It is really satisfying to work on something concrete; a feature about which you can say “yes, someone was here and dug this and now I’m here at the other end repeating the process” simple pleasures eh? Even if there are no finds just the idea that I am standing in the same spot working on the same thing that someone else was a few thousand years ago is enough to make the daily grind exciting and meaningful…most of the time.

While digging I bandied around a few ideas for the feature’s interpretation.

Could it be a round house? It does have four stake-holes in the middle which could potentially form part of a circle for an internal structure, the others might simply have disappeared on the bottom of peoples shoes as we did have a particularly wet week. No hearth or other domestic features were found within the ring ditch  and the ditch was 1.2 meters across in places which is a little excessive for a drip gully – so are we dealing with the foundations of a wall? If so, why no postholes in the bottom of the ditch, and why weren’t any finds such as daub (used in the construction of wattle and daub walls) found in the fills?

It could be an enclosure ditch for animals? A fairly small enclosure ditch dug for purpose? It is 15m in diameter, the land in Cambridgeshire is flat, and I think it would be fair to assume that the site shouldn’t be truncated too badly from ploughing, meaning the ditch won’t be too different in size now as it was then. The stake-holes could be a small wind break or shelter for the inhabitants.

The fill of the ditch was very dark and organic which could be the product of rotted wooden remains and settlement waste accumulated following the disuse of the feature. However, the ditch was also recut at one point indicating at least two phases of activity. I did also find what looks like a buckle or clothing attachment, this was in the uppermost fill of the ditch and with the wet weather was revealed, as it happens with my shoe.

Another thing I both love and hate about archaeology in almost equal measure is that we will never have the full story. Ever. From the way we have excavated it to how I was feeling on the day (looking back I was feeling a little soggy) to our social projections of the present on the past. Although there’s so much we can now tell from scientific analysis we have to accept that something will always remain an enigma.

What is your job role?
Project Manager

How long have you worked for Allen Archaeology?
4 years

How would describe your excavation technique?
Formerly rapid bordering on cavalier

Mike the cowboy

Mike in his digging days

How long have you been working in archaeology?
19 years apparently!

How did you get into archaeology?
It was this or a trainee manager for a DIY store chain and at the time I didn’t know the simple joys of owning a shed.

What is the best thing about your job?
Changing the staff planner when Gav isn’t looking.

Specialist skills?
I know several ways to disarm angry people, which comes in useful when I change the planner.

Best site hut biscuit?
Always Jaffa Cakes by choice, even if for tax purposes they are technically cakes